Our work

Atlas floors, photographed on the job.

Every photograph and clip below is of work Atlas did, taken by Brad. None of it is stock and none of it is generated. The three clips show grinding and two metallic pours, which between them are most of what a resin floor actually involves.

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A finished flake floor with the light across it — Flake, finished and lit. The chip blend is what hides everything the slab used to look like.

A poured metallic floor showing movement in the pigment — Metallic. The pattern forms while the resin is still moving, so this one cannot be repeated.

A coated garage floor running back to the door — A garage taken back to bare concrete and coated. The edges are where a poorly bonded floor lifts first, which is why they get the most attention.

A resin floor with a high gloss finish — Gloss comes from the top coat rather than the colour underneath. It is also the layer that takes the traffic.

Two Atlas crew working on a floor during installation — Mid-installation. The people in frame are Atlas crew.

A completed floor seen from the doorway — Finished and cured. Walking on a floor comes well before parking on it.

A coated pool surround with a textured finish running to the pool edge — Around water the surface has to hold a wet foot. This one is textured rather than smooth, and it runs right to the edge.

A finished flake floor in a garage with the door open and sun across it — Flake, finished, with our masking tape still up at the walls. We shot it with the door open because daylight across a floor shows the chip blend better than any lamp we could bring.

A finished flake floor running through into the next room — The same system carried through a doorway rather than stopped at it. We settle whether a floor runs between rooms before any resin goes down, because it is not a thing you can change later.

A blue metallic floor being spread with a squeegee while still wet — A metallic being worked. We do not apply the pattern to the floor, it is what the resin does while we move it.

Close detail of a metallic floor surface — Close in on a metallic surface. This is one pour, not a pattern printed onto anything.

Diamond grinding with dust extraction running. Most of the hours on any job go here, and it is the part that decides whether the floor stays bonded.

A blue metallic being worked while wet. The movement in the resin is the pattern being made.

The same system in copper. Same process, entirely different floor.

Metallic and Flake Epoxy Floors by Atlas

Mostly flake and metallic, which is most of what gets asked for. The grinding clip is the one worth watching, because it is the part of the job nobody sees in a finished photograph.

Why the grinding matters more than the gloss

A coating bonds to concrete we prepared or it does not bond at all. Everything decorative sits on top of that, and a floor that fails almost always failed here rather than in the colour you picked.

Why no two metallic floors match

We move the pigment through the resin while it is wet, so your pattern is made by the pour rather than chosen from a sample. The two pour clips are the same system in different colours.

What these photographs do not tell you

They do not tell you how the slab looked before, or what it took to get there. That is the part worth asking about when you take a quote, from us or from anybody else.

What to Look For in an Epoxy Flooring Portfolio

Useful whoever you are considering, and most galleries are photographed to hide the same three things.

Edges and corners

Where a poorly bonded floor lifts first, and the area most often cropped out of a photograph. Ask us to show you them.

The slab before

A finished floor tells you nothing about what it took to get there, which is why the before shots are the honest half of any portfolio.

Whether the photographs are theirs

Stock imagery of anonymous glossy floors is common in this trade. Everything you are looking at is Brad's own work, photographed on the job.

Video of the grinding

Nobody photographs preparation because it is not pretty. It is also the part that decides whether your floor is still there in five years, which is why we put a clip of it here.

What These Floors Are

Mostly flake and metallic, because that is what you ask us for.

The metallic pours

Two clips of the same system in two different colours. Your pattern forms while the resin is still moving, which is why we cannot repeat it for anybody.

The grinding clip

Diamond grinding with dust extraction running, which is where most of our hours on your job go.

The finished floors

Garages and shop floors, photographed in the light they actually live in rather than lit for a catalogue.

Photographing a Resin Floor Honestly

Why we shoot them the way we do.

Shot in the light they live in

Not lit for a catalogue. A metallic floor under showroom lighting and the same floor in your garage are two different photographs.

Wide enough to show the edges

We photograph the whole floor rather than cropping in on the best square foot of it.

Including the process

Grinding is not photogenic and it is the part that decides your floor, which is why we put a clip of it here.

Questions people ask

Are these really your floors?

Yes. Every image and clip on this page is our work, photographed by Brad. Nothing here is stock and nothing is generated.

Can I see one in person?

Sometimes, depending on whether a customer is happy to have somebody look. Ask when he quotes.

Can you match one of these?

The base colours yes. A metallic pattern no, because it forms while the resin is moving. That is the point of it, and it means your floor is yours.

Do you have before and after shots?

Some. Ask, and bring a photograph of your own slab, which is more useful for a conversation than any of these.

Are these photos of your own work?

Yes. Every image and clip is one of our jobs, photographed by Brad. Nothing here is stock and nothing is generated.

Can I visit a finished floor?

Sometimes, if a customer is happy to have you look. Ask Brad when he quotes.

Do you have before and after photographs?

Some. Bring a photograph of your own slab too, which is more useful for a conversation than any of these.

Why do some photos look less polished than other companies' galleries?

We shoot them in the light the floors live in rather than staging them. The grinding clip is there because it is the part that decides your floor.

Ready to stop looking at that floor?

Tell us roughly what you have and we'll come and look at it. The quote is free, there's nothing to sign, and you'll know what your floor costs before you commit to anything.